| Kirsch, Winfried. |
Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Tutzing: Hans Schneider, 1977. |
Book |
| E-Sc 1. |
Sevilla, Catedral, Libro de Polifonía 1. |
Mensural manuscript |
| Urquhart, Peter. |
“Cross-Relations by Franco-Flemish Composers after Josquin”. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 43.1 (1993): 3-41. |
Article: journal |
| Russell, Eleanor. |
“A New Manuscript Source for the Music of Cristóbal de Morales: Morales’ ‘lost’ Misa Pro Defunctis and Early Spanish Requiem Traditions.” Anuario Musical 23-25 (1978-80): 1-49. |
Article: journal |
| Valladolid MS 21. |
Libro de polifonía Ms. 21 (olim s.s.), Archivo de Música, Catedral de Valladolid. Dated, 1649: Title on fol. 1r.: "Liber Officium / Defunctorum / Ecclesiae Cathedralis / Valli Soleti / Anno D. N. Iesu / Christi, MDCXXXXIX". |
Mensural manuscript |
| E-E 03. |
Real Monasterio de San Lorenzo, El Escorial (Madrid). Biblioteca y Archivo de Música, Libro de facistol (LF) 3 |
Mensural manuscript |
| E-MO 753. |
Abbey of Montserrat, Ms 753. |
Mensural manuscript |
| E-BAE 4. |
Baeza, Cathedral MS 4. |
Mensural manuscript |
| Mantua, Jachet de. |
Collected Works. Ed. Philip Jackson and George Nugent. Corpus Mensurabilis Musicae 54, N.p.: American Institute of Musicology, 1971. |
Modern score |
| Grimm and Wirsung. |
Liber selectarum cantionum quas vulgo mutetas appellant sex quinque & quatuor vocum. [Augsburg] : [Grimm und Wirsung], 1520 |
Mensural print |
| Petrucci, Ottaviano (ed.). |
Motetti de la corona, libro tertio. Frossombone: Petrucci, 1519. |
Mensural print |
| Tagliapietra, Gino (ed.). |
Antologia di musica antica e moderna. Milan: Ricordi, 1931-1932. vol. 1. Grandi maestri del XVI Secolo. |
Modern score |
| Fenlon, Iain, and James Haar. |
The Italian Madrigal in the Early Sixteenth Century: Sources and Interpretation. Cambridge: Cambridge University Press, 1988. |
Book |
| Flosi, Justin. |
“On locating the Courtesan in Italian Lyric: Distance and the Madrigal texts of Castanzo Festa”. The Courtesan’s Arts: Cross-Cultural Perspectives, edited by Martha Feldman and Bonnie Gordon. Oxford & New York: Oxford University Press, 2006. 133-143. |
Article: book |
| Vásquez, Juan. |
Recopilación de sonetos y villancicos a cuatro y a cinco, (Sevilla, 1560). Ed. H. Anglés. Monumentos de la Música Española 4. Barcelona: Consejo Superior de Investigaciones Cientificas, Instituto Espanol de Musicologia, 1946. |
Book: Edition |
| Donis, José Antonio. |
“The Musicologist Behind the Composer: The Impact of Historical Studies Upon the Creative Life in Joaquín Rodrigo's Guitar Compositions”. Diss. MMus. Florida State University, 2005. |
Book: Thesis |
| Kirkendale, Warren. |
“Franceschina, Girometta, and their Companions in a Madrigal ‘a diversi linguaggi’ by Luca Marenzio and Orazio Vecchi”. Acta Musicologica 44.2 (1972): 181-235. |
Article: journal |
| Nosow, |
Robert Nosow, “The Debate on Song in the Accademia Florentina” Early Music History 21 (2002): 175-221. |
Article: journal |
| Esses, Maurice. |
Dance and Instrumental Diferencias in Spain During the 17th and 18th Centuries. Music and Dance, 2. New York: Pendragon, 1992. |
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| Romeu Figueras, José. |
“Las canciones de raíz tradicional acogidas por Cárceres en su ensalada ‘La Trulla’.” Miscelánea en homenaje a monseñor Higinio Anglès, 2 vols. Barcelona: CSIC, 1958-61. Vol. 2, 735-768. |
Article: book |