| Blackburn, Bonnie J. |
“A Lost Guide to Tinctoris’ Teachings Recovered”. Early Music History 1 (1981): 29-116.
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Article: book |
| Blackburn, Bonnie J. |
“Josquin Chansons: Ignored and Lost Sources”. Journal of the American Musicological Society 29 (1976): 30-76.
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Article: journal |
| Boetticher, Wolfgang. |
Handschriftlichen Überlieferte Lauten- und Gitarrentablaturen des 15. bis 18. Jahrhunderts. RISM, Series B, Vol. VII. Munich: Henle Verlag, 1978.
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Book: Reference |
| Bollini, Alessandra. |
“L’attività liutistica a Milano dal 1450 al 1550: Nuovi documenti”. Nuova Rivista Musicale Italiana 26 (1986): 31-60. |
Article: journal |
| Bordas, Cristina (ed.). |
Instruments de musique espagnols du XVIe au XIXe siecle. Europalia 85 Espana. Bruxelles: Societe Generale, 1985. |
Article: book |
| Bordas, Cristina et al. |
La Guitarra Española - The Spanish Guitar. Madrid: Sociedad Estatal Quinto Centenario, 1991. |
Book |
| Bordas, Cristina. |
“Du violero au guitarrero: l’activité de la corporation des violeros de Madrid (ca. 1577-ca. 1801). Aux origines de la guitare: la vihuela de mano, edited by Joël Dugot. Paris: Musée de la Musique, 2004. 29-40. |
Article: book |
| Bordas, Cristina. |
“La construcción de vihuelas y guitarras en Madrid en los siglos XVI y XVII”. La guitarra en la historia 6 (1995): 47-67. |
Article: journal |
| Bosser, Jaume. |
“¿Guitarra? del Convento de la Encarnación de Ávila”. Hispanica Lyra 10 (October, 2009): 24-31. |
Article: journal |
| Bouza, Fernando. |
“Dissonance dans la monarchie: Une fiction musicale de la politique baroque autour du mouvement portugais de 1640”. Recherche sur l’histoire de l’état dans le monde ibérique (15e-20e siècle). Ed Jean-Frédéric Schaub. Paris: Presses de l’École Normale Supérieure, 1993. |
Article: book |
| Braun, Gundi. |
“Die spanischen Vihuela-Lieder im 16. Jahrhundert”. Diss. Universität Heidelberg, 1993. |
Book: Thesis |
| Brito, Manuel Carlos de. |
“As relações musicais portuguesas com a Espanha, a Itália e os Países Baixos durante a Renascença”. Estudos de história da música em Portugal, ed. Manuel Carlos de Brito. Lisboa: Editorial Estampa, 1989.
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Article: book |
| Brondi, Maria Rita. |
Il liuto e la chitarra: ricerche storiche sulla loro origine e sul loro sviluppo. Bibliotheca Musica Boniniensis, IV/70. Turin: Forni, 1979. |
Book |
| Brown, Clifford M. |
Isabella d’Este and Lorenzo da Pavia: documents for the history of art and culture in renaissance Mantua. Geneva: Droz, 1982. |
Book |
| Brown, Howard Mayer. |
“Accidentals and Ornamentation in sixteenth-century intabulations of Josquin Motets”. Josquin des Prez. Proceedings of the International Festival-Conference held at the Julliard School at Lincoln Center in New York City, 21-25 June 1971. Ed. E. Lowinsky. London: Oxford University Press, 1976. 475-522. |
Article: book |
| Brown, Howard Mayer. |
Instrumental Music Printed Before 1600: A Bibliography. Cambridge Mass: Harvard University Press, 1967. |
Book: Reference |
| Brownscombe, Peter Gilbert. |
“A transcription for classical guitar of sixteenth century Spanish vihuela tablature: selected pieces from Orphenica lyra by Miguel de Fuenllana, Seville, 1554”. Diss. (B.A.)--Drew University, 1972. |
Book: Thesis |
| Bryan, John. |
“‘Verie sweete and artificiall’: Lorenzo Costa and the earliest viols”. Early Music 36.1 (2008): 3-18. |
Article: journal |
| Burzik, Monika. |
Quellenstudien zu Europaisichen Zupfinstrumenten formen: Methodenprobleme, kunsthistorische Aspekte und Fragen der Namenszuordnung. Kassel: Gustav Bosse Verlag, 1997. |
Book |
| Cabezón, Antonio de. |
Obras de Musica para tecla, harpa y vihuela de Antonio de Cabeçon, musico de la Camara y Capilla del Rey Don Philippe nuestro Señor. Madrid: Francisco Sánchez, 1578. |
Book |