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Author Item Publication Type
Claramonte y Corroi, Andrés de. Letanía moral. Sevilla: Matías Clavijo, 1613. Book
Clark, Walter Aaron. “Luis de Narváez and the Intabulation Tradition of Josquin’s Mille regretz”. Journal of the Lute Society of America 26-27 (1993-94): 17-52. Article: journal
Codina, Daniel, J. Dolcet and J. Rifé i Santaló. História de la música catalana, valenciana e balear. Barcelona: Edicions 62, 2002. Book
Coelho, Victor (ed.). Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997. Book
Coelho, Victor. “Revisiting the Workshop of Howard Mayer Brown: [Josquin’s] Obsecro te domina and the Context of Arrangement”. La musique, de tous les passetemps le plus beau: Hommage à Jean-Michel Vaccaro. Ed. F. Lesure and H. Vanhulst. Paris: Editions Klincksieck, 1998. 48-65. Article: book
Cook, Frederick. “A Vihuela in Quito?” Guitar and Lute 9 (April 1979): 11-12. Article: journal
Cook, Frederick. “Die Jacquemart-André-Vihuela: Ungeklärte Fragen”. Gitarre + Laute 5, Nº3 (1983): 177-182. Article: journal
Cook, Frederick. “Die Vihuela: grosse oder kleine mensur?”. Guitarre + Laute 2, Nº3 (1980): 14-18. Article: journal
Cook, Frederick. “Noch einmal: Die Jacquemart-André Vihuela”. Guitarre + Laute 6, Nº1 (1984): 74-77. Article: journal
Coopersmith, Jacob Maurice. “Music and Musicians of the Dominican Republic: A Survey--Part I”. The Musical Quarterly 31 (1945): 71-88. Article: journal
Corominas, Joan. Diccionario crítico etimológico de la lengua castellana. Madrid: Gredos, 1954-57. Book: reference
Corona-Alcalde, Antonio and Stewart McCoy, eds. “Seven Pieces for Vihuela from the Simancas Manuscript”. The Lute 26 (1986): 81-120. Article: journal
Corona-Alcalde, Antonio. “A Vihuela Manuscript in the Archivo de Simancas”. The Lute 26 (1986): 3-20. Article: journal
Corona-Alcalde, Antonio. “Fray Juan Bermudo and his Seven Vihuelas”. The Lute 24 (1984): 77-86. Article: journal
Corona-Alcalde, Antonio. “L’organologie de la vihuela”. Aux origines de la guitare: la vihuela de mano. Ed. Joël Dugot. Paris: Musée de la Musique, 2004. 16-28. Article: book
Corona-Alcalde, Antonio. “La vihuela et la guitare”. Instruments de musique espagnols du XVIe au XIXe siecle. Europalia 85 España. Bruxelles: Societé Génerale, 1985. 73-91. Article: book
Corona-Alcalde, Antonio. “On the Manipulation of Intabulation: a proposed Transposition of 3 Fantasias by Esteban Daza”. LSA Quarterly 26/4 (1991): 4-11. Article
Corona-Alcalde, Antonio. “The earliest vihuela tablature: a recent discovery”. Early Music 20 (1992): 594-600. Article: journal
Corona-Alcalde, Antonio. “The Fernández de Córdoba Printers and the Vihuela Books from Valladolid”. LSA Quarterly 40, no 2 (May, 2005): 20-30. Article: journal
Corona-Alcalde, Antonio. “The Players and Performance Practice of the Vihuela and its related Instruments, the Lute and the Guitar, from c. 1450 to c.1650. as revealed by a Study of Literary, Musical, Theoretical, and Archival Sources”. Diss. King's College, University of London, 1999. Book: Thesis