| Griffiths, John. |
“The Printing of Instrumental Music in Sixteenth-Century Spain”. Revista de Musicología 16 (1993): 3309-21. |
Article: journal |
| Griffiths, John. |
“The transmission of Secular Polyphony in Renaissance Spain: Esteban Daza and Rodrigo de Ceballos”. Encomium Musicae: A Festschrift in Honor of Robert J. Snow. Ed. David Crawford & G. Grayson Wagstaff. Festschrift series, 17. New York: Pendragon, 2002. 321-40. |
Article: book |
| Griffiths, John. |
“The Two Renaissances of the vihuela - Los dos renacimientos de la vihuela”. Goldberg 33 (April, 2005): 34-43. |
Article: journal |
| Griffiths, John. |
“The Vihuela Book ‘El Parnaso’ by Esteban Daza”. Studies in Music 10 (1976): 37-51. |
Article: journal |
| Griffiths, John. |
“The Vihuela Fantasia: A Comparative Study of Forms and Styles”. Ph.D. diss., Monash University, 1983. |
Book: Thesis |
| Griffiths, John. |
“Veinte años con una vihuela en las manos”. La guitarra en la historia 6 (1995): 69-88. |
Article: journal |
| Griffiths, John. |
“Venegas, Cabezón y las obras ‘para tecla, harpa y vihuela’”. Cinco siglos de música de tecla española —Five Centuries of Spanish Keyboard Music. Ed. Luisa Morales. Garrucha (Almería): Asociación Cultural Leal, 2007. 153-168. |
Article: book |
| Griffiths, John. |
“The Vihuela: Performance Practice, Style, and Context”. Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Ed Victor Coelho. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997. 158-79. |
Article: book |
| Griffiths, John. |
“Esteban Daza: el enigma desvelado de un vihuelista español”. La enseñanza de la lengua y cultura españolas en Australia y Nueva Zelanda. Ed. A. Monclús. Canberra: Consejería de Educación; Madrid: Iberediciones, 1993. 135-55. |
Article: book |
| Griffiths, John. |
“La imprenta y el poder musical en el renacimiento español”. Revista Argentina de Musicología 1 (1996): 6-16. |
Article: journal |
| Griffiths, John, and Warren E. Hultberg. |
“Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain”. Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery. Lisbon: Fundaçao Calouste Gulbenkian, 1992: 345-60. |
Article: book |
| Griffiths, John and Javier Suárez-Pajares (eds). |
Políticas y Prácticas musicales en el mundo de Felipe II: Estudios sobre la música en España, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Música Hispana. Textos. Madrid: Instituto Complutense de Ciencias Musicales, 2004. |
Book |
| Griffiths, John and Dinko Fabris (eds) |
Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. |
Book: Edition |
| Grunfeld, Frederic V. |
The Art and Times of the Guitar: An Illustrated History of Guitars and Guitarists. New York: Collier Books, 1969. |
Book |
| Gudiol Ricart, Josep. |
Pintura gótica. Vol. 9 of Ars Hispaniae. Madrid: Ediciones Plus Ultra, 1955. |
Book |
| Guzmán Bravo, José Antonio. |
“Mexico, home of the first musical instrument workshops in America”. Early Music 6 (1978): 350-55. |
Article: journal |
| Hall, Monica. |
“Performing early music on record. VI: The vihuela repertoire”. Early Music 5 (1977): 59-65. |
|
| Harder, Thomas Lee. |
“The Vihuela Fantasias from Miguel de Fuenllana’s ‘Orphenica Lyra’: Introduction and Guitar Transcription of Nine Representative Works”. DMA diss, Arizona State University, 1992. |
Book: Thesis |
| Harmon, Roger. |
“Luys Milan's Orpheus woodcut”. The lute: Journal of the Lute Society 37 (1997): 37-43. |
Article: journal |
| Harrán, Don. |
“Orpheus as poet, Musician Educator”. Essays on Italian music in the Cinquecento. Ed. Richard Charteris. Sydney: Frederick May Foundation for Italian Studies, University of Sydney, 1990. |
Article: book |