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Author Item Publication Type
Griffiths, John. “The Vihuela Fantasia: A Comparative Study of Forms and Styles”. Ph.D. diss., Monash University, 1983. Book: Thesis
Griffiths, John. “Veinte años con una vihuela en las manos”. La guitarra en la historia 6 (1995): 69-88. Article: journal
Griffiths, John. “Venegas, Cabezón y las obras ‘para tecla, harpa y vihuela’”. Cinco siglos de música de tecla española —Five Centuries of Spanish Keyboard Music. Ed. Luisa Morales. Garrucha (Almería): Asociación Cultural Leal, 2007. 153-168. Article: book
Griffiths, John. “The Vihuela: Performance Practice, Style, and Context”. Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Ed Victor Coelho. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997. 158-79. Article: book
Griffiths, John. “Esteban Daza: el enigma desvelado de un vihuelista español”. La enseñanza de la lengua y cultura españolas en Australia y Nueva Zelanda. Ed. A. Monclús. Canberra: Consejería de Educación; Madrid: Iberediciones, 1993. 135-55. Article: book
Griffiths, John. “La imprenta y el poder musical en el renacimiento español”. Revista Argentina de Musicología 1 (1996): 6-16. Article: journal
Griffiths, John, and Warren E. Hultberg. “Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain”. Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery. Lisbon: Fundaçao Calouste Gulbenkian, 1992: 345-60. Article: book
Griffiths, John and Javier Suárez-Pajares (eds). Políticas y Prácticas musicales en el mundo de Felipe II: Estudios sobre la música en España, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Música Hispana. Textos. Madrid: Instituto Complutense de Ciencias Musicales, 2004. Book
Griffiths, John and Dinko Fabris (eds) Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. Book: Edition
Grunfeld, Frederic V. The Art and Times of the Guitar: An Illustrated History of Guitars and Guitarists. New York: Collier Books, 1969. Book
Gudiol Ricart, Josep. Pintura gótica. Vol. 9 of Ars Hispaniae. Madrid: Ediciones Plus Ultra, 1955. Book
Guzmán Bravo, José Antonio. “Mexico, home of the first musical instrument workshops in America”. Early Music 6 (1978): 350-55. Article: journal
Hall, Monica. “Performing early music on record. VI: The vihuela repertoire”. Early Music 5 (1977): 59-65.
Harder, Thomas Lee. “The Vihuela Fantasias from Miguel de Fuenllana’s ‘Orphenica Lyra’: Introduction and Guitar Transcription of Nine Representative Works”. DMA diss, Arizona State University, 1992. Book: Thesis
Harmon, Roger. “Luys Milan's Orpheus woodcut”. The lute: Journal of the Lute Society 37 (1997): 37-43. Article: journal
Harrán, Don. “Orpheus as poet, Musician Educator”. Essays on Italian music in the Cinquecento. Ed. Richard Charteris. Sydney: Frederick May Foundation for Italian Studies, University of Sydney, 1990. Article: book
Hearn, William. “Playing Devil’s Advocate: The Shaky Case for Unison-Course Vihuela Stringing”. Lute Society of America Quarterly 29/3 (1994): 3-10. Article: journal
Hearn, William Bernard. “Performing the music of Alonso Mudarra: an investigation into performance practice in the music of the vihuelistas”. Diss. (D.M.A.), University of Arizona, 1995. Book: Thesis
Heidrich, Jürgen “Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts — Intavolierungen von Messens Josquins in Miguel de Fuenllanas Orphénica Lyra”. Gesang zur Laute. Troja — Trossinger Jahrbuch für Renaissancemusik, 2. Kassel: Bärenreiter, 2003. 147-60. Article: book
Heitland, Winfried. “Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano”. Musica [Germany] 33/1 (1979): 27-30. Article: journal