| Knighton, Tess. |
“A newly discovered keyboard source (Gonzalo de Baena’s Arte nouamente inuentada pera aprender a tanger, Lisboa 1540): a preliminary report”. Plainsong and Medieval Music 5 (1996): 81-112. |
Article: journal |
| Knighton, Tess. |
“Spanish Ballads in Full”. Early Music 24 (1996): 346-49 |
Article: journal |
| Knispel, Claudia. |
“Welche ‘Verwandten’ hat die Vihuela? Die Tabulaturen von Luys Venegas de Henestrosa und Antonio de Cabezón für Tasteninstrumente, Harfe und Vihuela". Concerto Vol. 11, No 94 (June 1994): 23-25. |
Article: journal |
| Koczirz, Adolf. |
“Der Lautenist Hans Judenkunig”. Sammelbände der Internationalen Musikgesellschaft, 6. 2. (1905): 237-249
|
Article: journal |
| Koczirz, Adolf. |
“Die Fantasien des Mechiore Barberis für die siebensaitige Gitarre”. Zeitschrift für Musikwissenschaft 4 (1921): 11-17. |
Article: journal |
| Koczirz, Adolf. |
“Die Gitarren Kompositionen in Miguel de Fuenllana's Orphénica Lyra (1554)”. Archiv für Miusikwissenschaft 4 (1922): 241-61. |
Article: journal |
| Koonce, Frank. |
“Revisiting Guárdame las vacas by Narvaez” Lute Society of America Quarterly, 43, no. 2 (May, 2008): 14-21. |
Article: journal |
| Koonce, Frank. |
The Renaissance Vihuela & Guitar in Sixteenth-Century Spain. Pacific (Mo): Mel Bay, 2008. |
Book: Edition |
| Krasuckaja, Elena. |
Huan Bermudo i ego traktat Raźjasnenie muzykalńyh instrumentov. Muzykalńaya Akademiya 2 (1995): 149-155. |
Article: journal |
| Kreitner, Kenneth. |
“Ave festiva ferculis and Josquin’s Spanish Reputation”. Journal of the Royal Musical Association 128 (2003): 1-29. |
Article: journal |
| Kreitner, Kenneth. |
“Minstrels in Spanish Churches 1400-1600”. Early Music 20 (1992): 532-48. |
Article: journal |
| Lacál, Luisa. |
Diccionario de la Música, Técnico, Histórico, Bio-bibliogáfico. Madrid: San Francisco de Sales, 1899. |
Book: Reference |
| Lafargue, Véronique. |
“Des sources pour le chant au luth à la Renaissance”. Luths et luthistes en Occident: Actes du Colloque 13-15 mai 1998. Paris: Cité de la Musique, 1999. 63-76. |
Article: book |
| Lafargue, Véronique. |
“‘Par un luth marié aux doulceurs de la voix’: la musique pour voix et instruments à cordes pincées au XVIème siècle”. PhD. diss. Centre d’Etudes Superiueres de la Renaissance, Université François Rabelais (Tours), 1999. |
Book: Thesis |
| Lambea, Mariano, con la colaboración de Lola Josa y Francisco A. Valdivia. |
Nuevo Incipit de Poesía Española Musicada (ca 1465-ca. 1710). Alicante: Biblioteca Virtual Cervantes 2010. |
Book: Reference |
| Lambea, Mariano. |
Incipit de Poesía Española Musicada (ca 1465-ca. 1710). Madrid: Sociedad Española de Musicología, 2000. |
Book: Reference |
| Larruga, Eugenio. |
Memorias políticas y económicas sobre los frutos, comercio y minas de España. Madrid, 1787. |
Book |
| Larsen, Daniel. |
“A Set of Vihuelas”. LSA Quarterly 40, no 2 (May, 2005): 13-17. |
Article: journal |
| Lee, Margaret Kendig, 1942- |
“Vihuela music of the Spanish Renaissance: a selection and analysis for the modern guitarist's repertoire”. Diss. (M.A.), University of Georgia, 1977. |
Book: Thesis |
| Leonard, Irving. |
Books of the Brave: being an account of books and of men in the Spanish Conquest and settlement of the sixteenth-century New world. Cambridge, Mass.: Harvard University Press, 1949; rpt Berkley: University of California Press, 1992. |
Book |