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Author Item Publication Type
Hearn, William. “Playing Devil’s Advocate: The Shaky Case for Unison-Course Vihuela Stringing”. Lute Society of America Quarterly 29/3 (1994): 3-10. Article: journal
Hearn, William Bernard. “Performing the music of Alonso Mudarra: an investigation into performance practice in the music of the vihuelistas”. Diss. (D.M.A.), University of Arizona, 1995. Book: Thesis
Heidrich, Jürgen “Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts — Intavolierungen von Messens Josquins in Miguel de Fuenllanas Orphénica Lyra”. Gesang zur Laute. Troja — Trossinger Jahrbuch für Renaissancemusik, 2. Kassel: Bärenreiter, 2003. 147-60. Article: book
Heitland, Winfried. “Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano”. Musica [Germany] 33/1 (1979): 27-30. Article: journal
Hervás, Francisco. “Sobre las maneras de tañer en la vihuela y su repercusión en la construcción de vihuelas”. Hispanica Lyra: Revista de la Sociedad de la Vihuela. No 1, (March, 2005): 14-19. Article: journal
Hervás, Francisco. “Vihuela de piezas con taraceas”. Música oral del Sur 2(1996): 250-56. Article: journal
Hidalgo Ogayar, J. “La miniatura del Renacimiento en la Alta Andalucía: Provincia de Jaén”. 2 vols. Diss, Universidad Complutense de Madrid, 1982. Book: Thesis
Higney, John J. “Chromatic Inflections in the Printed Vihuela Intabulations of Vocal Works by Nicholas Gombert”. MA Diss., The University of Western Ontario, 1996. Book: Thesis
Hill, John Walter. “L'accompagnamento rasgueado di chitarra: un possibile modello per il basso continuo dello stile recitativo?” Rime e Suoni alla Spagnola: Atti della Giornata Internazionale di Studi sulla chitarra barocca. Firenze, Biblioteca Riccardiana, 7 febbraio 2002. Ed Giulia Veneziano. Florence: Alinea, 2003. 35-58. Article: book
Hinojosa, Carlos. “Fray Juan Bermudo y la ornamentación”. Hispanica Lyra: Revista de la Sociedad de la Vihuela. No 4, (October, 2006): 8-11. Article: journal
Hinojosa, Javier and Frederick Cook. Ramillete de Flores Nuevas. Zurich: Editio Violae, 1981. Book: Edition
Hoban, Dick. “Antonio de Cabezon: 16th Century Spanish Keyboard Master”. Lute Society of America Quarterly, 42, no. 4 (November, 2007): 31-42. Article: journal
Honegger Marc “La tablature de Diego Pisador et le problème des altérations au XVIe siècle”, Revue de Musicologie 59 (1973): 38-59; 59 (1973): 191-230; 60 (1974): 3-32. Article: journal
Honegger, Marc. “Les messes de Josquin des Pres dans la tablature de Diego Pisador (Salamanque, 1552). Contribution a l'etude des alterations au XVIe siecle.” Diss. U. Paris, 1970. 2v. Book: Thesis
Horne, Philip. “Valderrábano’s Silva de sirenas”. Lute Society of America Quarterly 39, no. 3 (Sept. 2004): 13-20. Article: journal
Horsley, Imogen. “The 16th-Century Variation: An New Historical Survey”. Journal of the American Musicological Society 12 (1959): 118-32. Article: journal
Hudson, Richard. “Chordal Aspects of the Italian Dance Style, 1500-1650”. Journal of the Lute Society of America 3 (1970): 35-52. Article: journal
Hughes, John. “The Tientos, Fugas and Diferencias in Antonio de Cabezón's Obras de Musica para Tecla, Harpa y Vihuela”. Ph. D. Diss. Florida State U., 1961. Book: Thesis
Hultberg, Warren E. “Sancta Maria’s ‘Libro Llamado Arte de Tañer Fantasia’: A Critical Evaluation”. Diss. U. of Southern California, 1964. Book: Thesis
Hultberg, Warren E. “Diego Pisador's Libro de musica de vihuela (1552)”. Festival essays for Pauline Alderman: a musicological tribute. Ed. Burton L. Karson. Provo, Utah: Brigham Young University Press, 1976. 29-51. Article: book