| Griffiths, John. |
“La imprenta y el poder musical en el renacimiento español”. Revista Argentina de Musicología 1 (1996): 6-16. |
Article: journal |
| Griffiths, John, and Warren E. Hultberg. |
“Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain”. Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery. Lisbon: Fundaçao Calouste Gulbenkian, 1992: 345-60. |
Article: book |
| Griffiths, John and Javier Suárez-Pajares (eds). |
Políticas y Prácticas musicales en el mundo de Felipe II: Estudios sobre la música en España, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Música Hispana. Textos. Madrid: Instituto Complutense de Ciencias Musicales, 2004. |
Book |
| Griffiths, John and Dinko Fabris (eds) |
Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. |
Book: Edition |
| Grunfeld, Frederic V. |
The Art and Times of the Guitar: An Illustrated History of Guitars and Guitarists. New York: Collier Books, 1969. |
Book |
| Gudiol Ricart, Josep. |
Pintura gótica. Vol. 9 of Ars Hispaniae. Madrid: Ediciones Plus Ultra, 1955. |
Book |
| Guzmán Bravo, José Antonio. |
“Mexico, home of the first musical instrument workshops in America”. Early Music 6 (1978): 350-55. |
Article: journal |
| Hall, Monica. |
“Performing early music on record. VI: The vihuela repertoire”. Early Music 5 (1977): 59-65. |
|
| Harder, Thomas Lee. |
“The Vihuela Fantasias from Miguel de Fuenllana’s ‘Orphenica Lyra’: Introduction and Guitar Transcription of Nine Representative Works”. DMA diss, Arizona State University, 1992. |
Book: Thesis |
| Harmon, Roger. |
“Luys Milan's Orpheus woodcut”. The lute: Journal of the Lute Society 37 (1997): 37-43. |
Article: journal |
| Harrán, Don. |
“Orpheus as poet, Musician Educator”. Essays on Italian music in the Cinquecento. Ed. Richard Charteris. Sydney: Frederick May Foundation for Italian Studies, University of Sydney, 1990. |
Article: book |
| Hearn, William. |
“Playing Devil’s Advocate: The Shaky Case for Unison-Course Vihuela Stringing”. Lute Society of America Quarterly 29/3 (1994): 3-10. |
Article: journal |
| Hearn, William Bernard. |
“Performing the music of Alonso Mudarra: an investigation into performance practice in the music of the vihuelistas”. Diss. (D.M.A.), University of Arizona, 1995. |
Book: Thesis |
| Heidrich, Jürgen |
“Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts — Intavolierungen von Messens Josquins in Miguel de Fuenllanas Orphénica Lyra”. Gesang zur Laute. Troja — Trossinger Jahrbuch für Renaissancemusik, 2. Kassel: Bärenreiter, 2003. 147-60. |
Article: book |
| Heitland, Winfried. |
“Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano”. Musica [Germany] 33/1 (1979): 27-30. |
Article: journal |
| Hervás, Francisco. |
“Sobre las maneras de tañer en la vihuela y su repercusión en la construcción de vihuelas”. Hispanica Lyra: Revista de la Sociedad de la Vihuela. No 1, (March, 2005): 14-19. |
Article: journal |
| Hervás, Francisco. |
“Vihuela de piezas con taraceas”. Música oral del Sur 2(1996): 250-56. |
Article: journal |
| Hidalgo Ogayar, J. |
“La miniatura del Renacimiento en la Alta Andalucía: Provincia de Jaén”. 2 vols. Diss, Universidad Complutense de Madrid, 1982. |
Book: Thesis |
| Higney, John J. |
“Chromatic Inflections in the Printed Vihuela Intabulations of Vocal Works by Nicholas Gombert”. MA Diss., The University of Western Ontario, 1996. |
Book: Thesis |
| Hill, John Walter. |
“L'accompagnamento rasgueado di chitarra: un possibile modello per il basso continuo dello stile recitativo?” Rime e Suoni alla Spagnola: Atti della Giornata Internazionale di Studi sulla chitarra barocca. Firenze, Biblioteca Riccardiana, 7 febbraio 2002. Ed Giulia Veneziano. Florence: Alinea, 2003. 35-58. |
Article: book |