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Author Item Publication Type
Clemens non Papa, Jacobus. Opera Omnia. Corpus Mensurabilis Musicae 4. 21 vols. Ed. Karel Philippus Bernet Kempers. [Rome]: American Institute of Musicology, 1951-1976
Attaingnant, Pierre (ed.). Lib. nonus. xviii. daviticos musicales psalmos habet. Mense Januarii.Md.xxxiiii. Paris: Attaingnant, 1535. Book: Edition
Schmidt-Görg Joseph. Nicolas Gombert, Kapellmeister Karls V: Leben und Werk. Bonn: Ludwig Röhrscheid, 1938. Book
Kirsch, Winfried. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Tutzing: Hans Schneider, 1977. Book
E-Sc 1. Sevilla, Catedral, Libro de Polifonía 1. Mensural manuscript
Urquhart, Peter. “Cross-Relations by Franco-Flemish Composers after Josquin”. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 43.1 (1993): 3-41. Article: journal
Russell, Eleanor. “A New Manuscript Source for the Music of Cristóbal de Morales: Morales’ ‘lost’ Misa Pro Defunctis and Early Spanish Requiem Traditions.” Anuario Musical 23-25 (1978-80): 1-49. Article: journal
Valladolid MS 21. Libro de polifonía Ms. 21 (olim s.s.), Archivo de Música, Catedral de Valladolid. Dated, 1649: Title on fol. 1r.: "Liber Officium / Defunctorum / Ecclesiae Cathedralis / Valli Soleti / Anno D. N. Iesu / Christi, MDCXXXXIX". Mensural manuscript
E-E 03. Real Monasterio de San Lorenzo, El Escorial (Madrid). Biblioteca y Archivo de Música, Libro de facistol (LF) 3 Mensural manuscript
E-MO 753. Abbey of Montserrat, Ms 753. Mensural manuscript
E-BAE 4. Baeza, Cathedral MS 4. Mensural manuscript
Mantua, Jachet de. Collected Works. Ed. Philip Jackson and George Nugent. Corpus Mensurabilis Musicae 54, N.p.: American Institute of Musicology, 1971. Modern score
Grimm and Wirsung. Liber selectarum cantionum quas vulgo mutetas appellant sex quinque & quatuor vocum. [Augsburg] : [Grimm und Wirsung], 1520 Mensural print
Tagliapietra, Gino (ed.). Antologia di musica antica e moderna. Milan: Ricordi, 1931-1932. vol. 1. Grandi maestri del XVI Secolo. Modern score
Fenlon, Iain, and James Haar. The Italian Madrigal in the Early Sixteenth Century: Sources and Interpretation. Cambridge: Cambridge University Press, 1988. Book
Flosi, Justin. “On locating the Courtesan in Italian Lyric: Distance and the Madrigal texts of Castanzo Festa”. The Courtesan’s Arts: Cross-Cultural Perspectives, edited by Martha Feldman and Bonnie Gordon. Oxford & New York: Oxford University Press, 2006. 133-143. Article: book
Vásquez, Juan. Recopilación de sonetos y villancicos a cuatro y a cinco, (Sevilla, 1560). Ed. H. Anglés. Monumentos de la Música Española 4. Barcelona: Consejo Superior de Investigaciones Cientificas, Instituto Espanol de Musicologia, 1946. Book: Edition
Donis, José Antonio. “The Musicologist Behind the Composer: The Impact of Historical Studies Upon the Creative Life in Joaquín Rodrigo's Guitar Compositions”. Diss. MMus. Florida State University, 2005. Book: Thesis
Kirkendale, Warren. “Franceschina, Girometta, and their Companions in a Madrigal ‘a diversi linguaggi’ by Luca Marenzio and Orazio Vecchi”. Acta Musicologica 44.2 (1972): 181-235. Article: journal
Nosow, Robert Nosow, “The Debate on Song in the Accademia Florentina” Early Music History 21 (2002): 175-221. Article: journal