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Author Item Publication Type
Valente, Antonio. Intavolatura de Cimbalo. Naples: Gioseppe Cacchio dall’Aquila, 1576. Book: Edition
Grunfeld, Frederic V. The Art and Times of the Guitar: An Illustrated History of Guitars and Guitarists. New York: Collier Books, 1969. Book
Gudiol Ricart, Josep. Pintura gótica. Vol. 9 of Ars Hispaniae. Madrid: Ediciones Plus Ultra, 1955. Book
Guzmán Bravo, José Antonio. “Mexico, home of the first musical instrument workshops in America”. Early Music 6 (1978): 350-55. Article: journal
Hall, Monica. “Performing early music on record. VI: The vihuela repertoire”. Early Music 5 (1977): 59-65.
Harder, Thomas Lee. “The Vihuela Fantasias from Miguel de Fuenllana’s ‘Orphenica Lyra’: Introduction and Guitar Transcription of Nine Representative Works”. DMA diss, Arizona State University, 1992. Book: Thesis
Harmon, Roger. “Luys Milan's Orpheus woodcut”. The lute: Journal of the Lute Society 37 (1997): 37-43. Article: journal
Harrán, Don. “Orpheus as poet, Musician Educator”. Essays on Italian music in the Cinquecento. Ed. Richard Charteris. Sydney: Frederick May Foundation for Italian Studies, University of Sydney, 1990. Article: book
Hearn, William. “Playing Devil’s Advocate: The Shaky Case for Unison-Course Vihuela Stringing”. Lute Society of America Quarterly 29/3 (1994): 3-10. Article: journal
Hearn, William Bernard. “Performing the music of Alonso Mudarra: an investigation into performance practice in the music of the vihuelistas”. Diss. (D.M.A.), University of Arizona, 1995. Book: Thesis
Heidrich, Jürgen “Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts — Intavolierungen von Messens Josquins in Miguel de Fuenllanas Orphénica Lyra”. Gesang zur Laute. Troja — Trossinger Jahrbuch für Renaissancemusik, 2. Kassel: Bärenreiter, 2003. 147-60. Article: book
Heitland, Winfried. “Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano”. Musica [Germany] 33/1 (1979): 27-30. Article: journal
Hervás, Francisco. “Sobre las maneras de tañer en la vihuela y su repercusión en la construcción de vihuelas”. Hispanica Lyra: Revista de la Sociedad de la Vihuela. No 1, (March, 2005): 14-19. Article: journal
Hervás, Francisco. “Vihuela de piezas con taraceas”. Música oral del Sur 2(1996): 250-56. Article: journal
Hidalgo Ogayar, J. “La miniatura del Renacimiento en la Alta Andalucía: Provincia de Jaén”. 2 vols. Diss, Universidad Complutense de Madrid, 1982. Book: Thesis
Higney, John J. “Chromatic Inflections in the Printed Vihuela Intabulations of Vocal Works by Nicholas Gombert”. MA Diss., The University of Western Ontario, 1996. Book: Thesis
Hill, John Walter. “L'accompagnamento rasgueado di chitarra: un possibile modello per il basso continuo dello stile recitativo?” Rime e Suoni alla Spagnola: Atti della Giornata Internazionale di Studi sulla chitarra barocca. Firenze, Biblioteca Riccardiana, 7 febbraio 2002. Ed Giulia Veneziano. Florence: Alinea, 2003. 35-58. Article: book
Hinojosa, Carlos. “Fray Juan Bermudo y la ornamentación”. Hispanica Lyra: Revista de la Sociedad de la Vihuela. No 4, (October, 2006): 8-11. Article: journal
Hinojosa, Javier and Frederick Cook. Ramillete de Flores Nuevas. Zurich: Editio Violae, 1981. Book: Edition
Hoban, Dick. “Antonio de Cabezon: 16th Century Spanish Keyboard Master”. Lute Society of America Quarterly, 42, no. 4 (November, 2007): 31-42. Article: journal