Document | Date | Century | City | Province |
---|---|---|---|---|
Cristóbal Suárez de Figueroa, Plaza Universal de todas Ciencias. | 1615 | 17cent/1/early | Madrid | Madrid |
The authornames several of the leading vihuelists of his time and also defines dancing as a set of ordered movements made to the accompaniment of the harp, vihuela and lute.
Document type | Subject | Siglum | Archive name | Call no. |
---|---|---|---|---|
non-fiction print | Vihuelas Literature Lute Guitar |
“Este artificioso efxercicio de dançar consiste todo en cierta diligencia y regla de acciones ordenadas, y passos medidos al son de Harpa, Vihuela, Laud, y otros instrumentos (fol 214v)
Name | Status when cited | Social status |
---|---|---|
Benavente | Living | |
Blas de Castro, Juan | Professional | |
Fuenllana, Miguel de | Professional | |
Maluenda, Antonio de (el abad Maluenda) | Ecclesiastical | |
Martínez Espinel, Vicente | Bourgeoisie | |
Torres, Baltasar de | ||
Enríquez de Valderrábano, Fernando | Professional | |
Suárez de Figueroa, Cristóbal | Living | Professional |
Further references to add from fols. 193v and 195 where he refers to the Vihuela, Lute amd Guitar.
Code | Author | Item | Pages |
---|---|---|---|
corona1999 | Corona-Alcalde, Antonio. | “The Players and Performance Practice of the Vihuela and its related Instruments, the Lute and the Guitar, from c. 1450 to c.1650. as revealed by a Study of Literary, Musical, Theoretical, and Archival Sources”. Diss. King's College, University of London, 1999. | |
roberts1960 | Roberts, John. | “The Lute: Historical Notes”. The Lute Society Journal 2 (1960): 17-25. | |
suarezfig | Suárez de Figueroa, Cristóbal. | Plaza Universal de todas ciencias y artes. Madrid: Luis Sánchez, 1615. |