Franchinus Gaffurius (Franchino Gaffurio; January 14, 1451 – June 25, 1522) was an Italian music theorist and composer of the Renaissance. He was an almost exact contemporary of Josquin des Prez and Leonardo da Vinci, both of whom were his personal friends.[citation needed] He was one of the most famous musicians in Italy in the late 15th and early 16th centuries.(...)
Gaffurius was widely read, and showed a strong humanist bent. In addition to having a thorough understanding of contemporary musical practice, he met composers from all over Europe, since he had the good fortune to be living and working at one of the centers of activity for the incoming Netherlanders. His books have a pedagogical intent, and provide a young composer with all the techniques necessary to learn his art.
The major treatises of his years in Milan are three: Theorica musicae (1492), Practica musicae (1496), and De harmonia musicorum instrumentorum opus (1518). The second of these, the Practica musicae, is the most thorough, proceeding through subjects as diverse as ancient Greek notation, plainchant, mensuration, counterpoint, and tempo. One of his most famous comments is that the tactus, the tempo of a semibreve, is equal to the pulse of a man who is breathing quietly—presumably about 72 beats per minute.
Music[edit]
Gaffurius wrote masses, motets, settings of the Magnificat, and hymns, mainly during his Milan years. Some of the motets were written for ceremonial occasions for his ducal employer; many of the masses show the influence of Josquin, and all are in flowing Netherlandish polyphony, though with an admixture of Italian lightness and melody. His music was collected in four codices under his own direction.
In http://en.wikipedia.org/wiki/Franchinus_Gaffurius (consulted 05-03-2014)