Rubric: “This fantasia should be played somewhat slowly. Mode 3. Third level [of difficulty]. This is a longer through-composed fantasia of quite melancholic spirit. Its tempo indications are contradictory: the tempo sign indicates “ni apriessa ni espacio” but the verbal description ‘algo despacio’ suggests that it go more slowly. Four themes have been defined in this work: Theme 1 appears at the incipit, Theme 2 featuers an ascending 3rd motive usually given M. Sm M rhythm. Themes 3 and 4 are briefly treated imitated motives in compases 40-43, and 46-57 respectively. Regarding mode, the range of S corresponds to mode 3, but the work cadences on the dominant A at end. Many of the cadences are more typical of mode 4 than mode 3. The “active voice” at each point in the work changes from phrase to phrase, thus maintaining the imitative contrapuntal spirit of the fantasia but without systematic thematicism. Contrapuntal complexity is thus instilled. There is a great variety of textures including: active S with 10ths in T; homophony with outer parts in contrary motion (c. 135-139); static voices with a moving active voice, and good cadential variety. Not too much dissonance, but many unusual interrupted cadences. The way in which voices suddenly break off sometimes seems like poor writing, other times it is no more than whimsical. In both cases, the interest of listener is always thrust forward ahead of performance. Pujol (pujol1965, Textos y comentarios, 62) says there is ‘the positive influence of Narváez on the technique and aesthetic’ on this fantasia, shown in its ‘texture, development and elevated spirituality’.