Source title | [vihuela 1]: Morales. Vihuela mayor.. Este te[m]ple es como el a[n]tes deste, y a cada seys co[m]pases se veran en esta viguela vnos pu[n]tillos e[n]la cifra q[ues]s el ca[n]to llano sobre q[[ue] esta hecha esta musica. Segu[n]do grado. / [vihuela 2]: Esta es la vihuela menor tañer se ha esta musica el co[m]pas conforme al tiempo. Primero grado. Andreas Christi. |
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Title in contents | Andreas Christi famulus en tercera menor a cinco Morales. |
Text incipit | Andreas Christi |
Category intabulation
Genre motet
Fantasia type
Mode 8
Voices 5
Length (compases) 113
Tuning D & B
Courses 6
Final IV/2
Highest I/5
Lowest VI/1
Difficulty medium
Tempo medium
Language LA
Vocal notation texted puntillos
Intabulation for two vihuelas tuned to at the minor third of a five-voice motet by Morales, the lower in B and the higher in D. Only the Prima pars is intabulated. Concerning the vocal model, see Morales, Opera Omnia, ed Anglés, vol. II (Rome, 1953), Texto, 36; and Schöner (1999, 216).
The rubrics at the beginning of the tablature are as follows: [vihuela 1]: Morales. Large Vihuela. This tuning is like the previous one,and every six compases in this vihuela part you will seen some dots in the tablature which is the cantus firmus upon which this motet is made. Second grade. [vihuela 2]: This is the small vihuela, and has to be played according to the tempo. First grade.” The notes corresponding to the cantus firmus are printed in red in the transcription by Gil. It comprises a short phrase G–A–F–E–F–G (and transposed to D–E–C–B–C–D) repeated in alternation throughout the composition. The vocal model is listed in two Spanish manuscripts by Anglés, and in a further six in RISM (12/08/2022), but no printed sources have been located.
Morales, Cristóbal de. Opera omnia. Ed. Higinio Angles. Monumentos de la música española 11, 13, 15, 17, 20, 21, 24, 34 etc. Barcelona and Rome: Consejo Superior de Investigaciones Cientificas, Delegación de Roma, 1952-
E-Tc 17 Toledo, Catedral, Libros de Polifonía, 17.