Madrigal in five voices by Philippe Verdelot intabulated with the soprano in mensural notation and the lower parts in tablature for a vihuela in A. Insteqd of a vihuela in A, a vihuela in G would give the piece its original pitch. Gil’s transcription is therefore a tone higher than the original voice parts. At the original pitch the mode of the work aoppears to be mode 1, transposed to G, The text is by Antonio Broccardo and the work was reprinted several times after its first printing in 1535, in works such as Phalèse, Lucelentum Theatrum Musicum [1568/7], Nº 106. This work also appears in Hernando de Cabezón’s 1578 volume of works by his father, and it was also the basis for a parody mass by Francisco Guerrero.