Intabulation of a madrigal by Willaert that Valderrábano mistakenly attributes to Verdelot. Notated using a mensural staff for the soprano part, it is intabulated for a vihuela in E. The original madrigal is in four parts with the fifth part written as a canon at the fifth to the first tenor part at the distance of one bar.In Gil’s edition this corresponds to the entries of new voices at the beginning of bars 4 and 5. The chanson is best known from a 1572 print by Le Roy and Ballard. An earlier three-part version was composed issued in 1536 in Antonio dell’ Abbate’s La courone et fleur des chansons a troys (Venice: Andrea Antico, 1536) and an unconfirmed four-part version may be in the Libro secondo delle Canzoni francese (Venice: Scotto 1536) where it appears without author attribution. A keyboard tiento on the cantus firmus of “Qui la dira” by Antonio de Cabezón is Tiento IV in the Anglés edition.