Rubric: “Counterpoint on the villancico that says ‘con que la lauare la tez de la mi cara’. On the fourth [course] at the third fret is the f-clef. On the second at the first fret is the c-clef.”

Cantus firmus settting of the popular tune with an ornamental second part. The estribillo sets the melody with a counterpoint beneath; the roles are reversed in the vuelta. The melody is the same as the one used in the polyphonic intabulations of Fuenllana and Pisador. Sohns1987 gives a detailed analysis.

Known versions:
Polyphonic settings: Vásquez (1560), Uppsala (no 29), Carreira (Coimbra)
Vihuela settings by Narváez, Valderrábano, Pisador, Fuenllana