One of thw works in Libro 3. The identification of “Si par soufrir” by Jean Courtois was made by Bart Roose, “Luys de Narváez. Otra canción del primer tono” (roose2000]. Bevilacqua 2004 thesis (bevilacqua2004, 101-104) erroneously identifies it with Gombert’s chanson Tu pers son temp and claims that after some initial resemblance, it becomes an increasingly free paraphrase.

Comparison of the Narváez version with both the 1534 and 1544 prints (which are all but identical) suggests that Narváez may have used a different model to the printed versions, from a yet unknown source. The Narváez version omits 8 beats of the printed version (bars 21.3-4, 22, 23.1-2) following bar 43 in the tablature, and adds a brief coda with no repeat of the final bars. Roose give much more detail about other differences between the tablature version and the Attaingnant print.

Other lute intabulations of the chanson are in D-B Musi. ms. 40632 adn Heckel 1562.

Youtube recording of the Hilliard Ensemble performing the vocal model: http://www.youtube.com/watch?v=HcRq7r-8Jrc