Rubric: “Here start the Portuguese villancicos, and this first one that follows regarding the manner that it is played: the singer may add diminutions and the vihuela should go slowly.” Trend (trend1925, 48) claims the poetry to by by Juan Fernández de Heredia. Ward (ward1953, 440) concurs. Frenk, Nuevo Corpus (frenk2003) gives the text and related versions (no 718). Translation below is by John Griffiths; another translation is in Jacobs 303

This is one of three songs by Milán that Lafargue (in a paper given at the Med-Ren confernce in Spoleto in 2001, a paper derived from her thesis) suggests may be built on a pattern derived from Conde Claros. The three use the I-IV-V-I pattern, but it remains to be seen if this is a pattern or just their harmonic language. The three are of them are Quien amores, Falai miña amor and Amor que tan bien sirviendo and are built exactly on the same structure.