Villancico for vihuela and voice. The vocal part is in the tablature in red ciphers, presumably for the vihuelist to sing while accompanying himself or herself. In the rubric at the beginning of the piece, Milán states: “This [piece] which follows is the eighth fascicle of music to sing and play which in the table of cotents of the book I tell you what you will find in it. In it you will find villancicos and tunes in Castilian, Portuguese and Italian. The red ciphers are the voice to be sung. The first one is a Villancico: and knowing well how to play: you are to follow the red ciphers observing on which strong of the vihuela they are placed, and that is what to sing.” Another setting of the same text is in moraisVCR, Cancionero Musical do Bibl. Nac. de Lisboa, no IX. Morais affirms that it is different setting (p. clv)