Designed by Milán as an agility exercise for playing “dos dedos” technique. This fantasia consists of a number of long passages which connect chords or short homophonic phrases, becoming points of rest. The passages of redobles completely avoid the first course. The identity of the redobles varies considerably. There is one phrase [= Theme 1] which occurs several times, often as part of another theme. The last phrase is of course repeated. [= Theme 2 although it contains theme 1]. There are no other important style or form features. The work may be considered as largely through composed in three large periods of c. 20 compases, divided by the breves with fermatas that Milán calls “coronadas”.