Intabulated vocal work designated Villanesca by Daza, setting an anonymous poem. It is a literal intabulation of the model. Daza’s setting has two stanzas of text, the second being set to the same music, that is, with both stanzas underlaid beneath the same tablature. The four-part polyphonic version is found in the Cancionero de Medinaceli, no 44. A separate setting of the second stanza “El fresco y manso viento” is also found in the Medinaceli manuscript, no 95, but a different setting. The tiple part of “Prado verde” (both partes) es in Galdiano Ref 15411, sign. 648, tiple only, fol. 21v.

Guerrero adapted the text as a religious piece for his “Canciones y Villancescas espirituales” (1589) as “Pan divino y gracioso” ( MME19 = vol.2, No. 43, p. 31). The music is also found in MS 19 from the Cathedral of Puebla, Mexico, fol. 141 with a modified text beginning “Prado ameno y florido”. Anglés1948 refers to an anonymous different setting of the same text for four voices in Valladolid, MS 17, fol 18v, and a 6-voice setting on fol. 161v. This reference might be to MS 255 and not MS 17