One of Mudarra’s compositions from the Libro segundo that is based on a polyphonic model and that alternates intabulated passages with freely composed material. These passages are marked off by indicating the composer’s name or the word “glossa” at the beginning of each section. The music is continuous and listeners remain unaware of the sectional changes. The distribution of the work is as follows
Glossa 1-20
Josquin 21-32
Glossa 33-40
Josquin 41-68