This villancico that follows is to be played in this manner: the singer has to sing plain because the vihuela goes ornamenting and it has to be played quite fast.”
This is another of the songs by Milán that Lafargue (in a paper given at the Med-Ren confernce in Spoleto in 2001, a paper derived from her thesis) suggests may be built on a pattern derived from Conde Claros. The three use the I-IV-V-I pattern, but it remains to be seen if this is a pattern or just their harmonic language. The three are of them are Quien amores, Falai miña amor and Amor que tan bien sirviendo and are built exactly on the same structure. It has also been suggested that there are some connections between this song and “Falai, meus olhos” in the Cancionero de Uppsala.