From Morales Magnificat tertii toni, setting of the even verses (Et exultavit), published by Gardane in 1545. The setting has a third voice, a second alto part marked “si placet” that is not included by Fuenllana. The setting of this Magnificat is no VI in the edition in MME. Concerning the vocal work, see Morales, Opera Omnia, IV, ed H. Angles, text, 58-59.

Anglés gives many sources of the polyphony:

PRINTED
1. Ant. Gardane, Venecia, 1545, págs. 13-14 (V2).
2. Ant. Gardane, Venecia, 1559, pág. 13 (V3).
3. Ant. Gardane, Venecia, 1562, fols. 31V - 34 (V4).
4. Francesco Rampazetto, Venecia, 1563, pág. 12 (V5).
5. Apud Claudium Correggiatem, Venecia, 1568, pág. 8 (V").
6. Apud Fil os Ant. Gardani, Venecia, 1575, pág. 13 (V7).
7. Angelo Gardane, Venecia, 1583, pág. 13 (V8).
8. Gardano, Venecia, 1614, pág. 13 (V)9.

MANUSCRIPTS
Augsbm-g, Staats und. Stadtsbibliothek, M. 24, s. f. (A).
Florencia, Opera del Duomo, Archivio Musicale, Cod. 27, fols.
Madrid, Medinaceli, Ms. 607, págs. 146-153 (W).
Vaticana, Capp. Sistina, Cod. 21, fols. 74` - 85 (SI).
Vaticana, Capp. Giulia, Ms. fols. - I17 (G').

Additional copies of polyphony:
Bologna, Archivio Musicale della Fabbriceria di San Petronio, MS. A.XLIX
Guadelupe, Real Monasterio de Santa María, Archivo de Música, MS sin sign. (olim III/C)
Toledo, Biblioteca Capitular, MS 18
Toledo, Biblioteca Capitular, MS 34
Vatican, Santa Maria Maggiore, MS 36 (olim III,14)