“Le duo de luths sur modèle vocal à la Renaissance: vers une typologie du répertoire”. La musique, de tous les passetemps le plus beau: Hommage à Jean-Michel Vaccaro. Ed. F. Lesure and H. Vanhulst. Paris: Editions Klincksieck, 1998. 121-52.
Previous Next| Publication type | Year | ISBN/ISSN | Bibliog code |
|---|---|---|---|
| Article: book | 1998 | dupraz1998 |
During the 15th and 16th c., a significant number of Masses, motets, and songs were transcribed for two lutes. Two compilations in Germany were well known: Hans Jacob Wecker’s Lautenbuch vonn mancherley sch©œnen und lieblichen Stucken and Wolff Heckel’s Lautten Buch, von mancherley sch©œnen und lieblichen Stucken. With the work of composers such as Francesco Spinacino and Giovanni Antonio Terzi, the sense of dialogue between the instruments increased and transcriptions started acquiring a concerto-like quality. These transcriptions also enjoyed a certain vogue in the Netherlands and gradually acquired elements of the madrigal.
Composer
Instrument VIHUELA, LUTE
Century 16CENT
Region ITALY
Medium
Music genre SONGS
Research field MUSIC, REPERTORY & STYLE