“Quelques aspects des rapports entre la voix et l'instrument en Espagne au XVIe siècle”. Le concert des voix et des instruments dans la musique de la Renaissance: actes du XXXIVe Colloque international d'études humanistes: Tours, Centre d'Études Supérieures de la Renaissance 1-11 juillet 1991. Paris: CNRS, 1995. 631-38.
Previous Next| Publication type | Year | ISBN/ISSN | Bibliog code |
|---|---|---|---|
| Article: book | 1995 | dry1995 |
Examines the prefaces of three treatises by vihuelists with attention to the following areas: the importance of the instrument in relation to the voice, aspects of the writing of tablature based on a vocal model, and the importance of song in musical apprenticeship. The treatises are Tomás de Santa María's «Libro llamado arte de tañer fantasia» (Valladolid, 1565), Juan Bermudo's «Declaración de instrumentos musicales» (Ossuna,1555), and Pietro Cerone's «El melopeo y maestro» (Naples, 1613).
Composer
Instrument VIHUELA
Century 16CENT
Region SPAIN
Medium
Music genre
Research field MUSIC, SOURCE STUDIES, PERFORMANCE PRACTICE