Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997.
Previous Next| Publication type | Year | ISBN/ISSN | Bibliog code |
|---|---|---|---|
| Book | 1997 | coelho1997 |
Contents: • “An Invitation to the Fifteenth-Century Plectrum Lute: The Pesaro Manuscript “-Vladimir Ivanoff (U. Munich) • “Lute Tablature Instructions in Italy: A Survey of the Regole from 1507-1759” - Dinko Fabris • “The Performance Context of the English Lute Song, 1596-1622” -Daniel Fischlin • “Per cantare e sonare: Italian Lute Song at the End of the Sixteenth Century” -Kevin Mason • “Authority, Autonomy, and Interpretation in Seventeenth-Century Italian Lute Music” -Victor Coelho • “Performance Instructions for the Seventeenth- Century French Lute Repertory” -Wallace Rave • “The Vihuela: Performance Practice, Style, and Context” -John Griffiths • “Performing Seventeenth-Century Italian Guitar Music: The question of an appropriate Stringing” -Gary Boye • “Essential Issues in Performance Practices of the Classical Guitar, 1770-1840” -Richard Savino
Composer
Instrument VIHUELA, LUTE, GUITAR
Century 15CENT, 16CENT, 17CENT, 18CENT, 19CENT
Region ITALY, ENGLAND
Medium
Music genre
Research field MUSIC, PERFORMANCE PRACTICE