“El uso de la semitonía en las cláuslas de las secciones de misas de Morales transcritas por Fuenllana”. Los instrumentos musicales en el siglo XVI. Proceedings of the I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila, May 1993). Avila: Fundación Cultural Sta. Teresa, 1997. 141-52.
Previous Next| Publication type | Year | ISBN/ISSN | Bibliog code |
|---|---|---|---|
| Article: book | 1997 | aguirre1997 |
Leading tones used on tonic cadences (even interrupted if one voice goes to the tonic. Avoids semitone cadence if a voice finishes on another degree and the tonic chord comes shortly thereafter. Uses Phrygian cadences on V of mode I by using flat VI. More flexibility with cadences where only one voice finishes, depending on the degree of repose of the other voices. Apparently done with care and sensitivity for both music and text. Avoids raising semitones in reiterative sections.
Composer FUENLLANA
Instrument VIHUELA
Century 16CENT
Region SPAIN
Medium
Music genre INTABULATIONS
Research field MUSIC, ANALYSIS, THEORY